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Paper Marbling

During the week of March 12, 2001, Preservation/Conservation staff and students, under the direction of the Preservation/Conservation Librarian, made marbled papers. Acrylic paints were used on various types of acid-free paper. The papers will be used as endleaves in selected books being bound or rebound in the Preservation/Conservation Laboratory.

Click on images to enlarge them.

Photographs by Paulette Nelson

 
Dave Hiller applies an alum solution to the paper.

 

Dave places the coated paper in the drying rack.

 
 

Candice Arai applies paint to a carrageenan solution.

 

Josh Cannaday stirs the paint.

 
 

Stirred paint in the marbling tray.

 

Paint in the marbling tray after being combed. This is called the Nonpariel pattern.

 
 

A rake is used to make the Feather or French Curl pattern.

 


A peacock rake is used to make the Peacock or Bouquet pattern.

 
 

Oxgall is sprinkled on the paint to make the Stone Marble pattern

 

The paper is placed on the paint.

 
 
Candice, Pat McCarty, and Josh rinse the paper.  
Josh and Dave hang the rinsed paper to dry.  
 
Candice uses a skimmer to clean the surface of the carrageenan solution to prepare for the next sheet.  
Marbled papers drying in the Lab.